The Last Temptation
Neil Gaiman and Michael Zulli
based on a story by Neil Gaiman and Alice Cooper
I found this a couple of days ago, at the same store where I found, to my sorrow, the Essential Dazzler. And, appropriately enough to the story's content, I didn't find it in the main room of the comic shop. No, I found it in the basement, in a mildly creepy little room filled with boxes of back issues and ancient model kits and a lit glass case full of outdated collectibles. According to Amazon it's still in print, but on the "Other Books by Neil Gaiman" list in the back of my copy, it mentions American Gods as "coming Summer 2001." It cost me ten dollars plus tax, and possibly a little bit of my soul, though I can't really judge that at the moment.
Anyway, I bought it, and then later when my boyfriend and I were driving to GameStop, he said to me, "So, you bought an Alice Cooper comic?" Not really with derision--we both know that Neil Gaiman's a great author regardless, and Alice Cooper is actually pretty cool--but with curiousity. Because of course there's this lovely tradition of rocker vanity projects, like...well, for example, any comic starring the members of Kiss. So I was mildly apprehensive, but not too much.
And it's a great story.
I mean, it's not the best I've read. Certainly not the best work of Neil Gaiman's that I've read; it's a bit too straightforward for that. But it's a really cool comic to have. It's about a boy named Steven, who's scared of lots of things, and who meets a Showman who runs a theatre and looks a lot like Alice Cooper. The Showman gives him a free ticket to the theatre, and shows him some rather terrifying things, and then makes him an enticing offer, one that could change his life.
Join up. Be part of the show. Be young forever. Everyone wants that. Right?
I will not provide details.
It's beautifully written, and I imagine it's a great companion to the album, which I haven't heard, although now I'd really like to. Steven's a likable kid. And besides the writing, it's also beautifully drawn--by Michael Zulli, in fact, one of my favorite comics artists because he makes everything beautiful, even zombies. Everything's lovely, and a few panels in particular were really weirdly compelling. My copy, at least, has this odd brownish tint instead of straight black and white, which is interesting, but I don't know whether it's deliberate or a consequence of aging slowly in a dark basement. And the lettering is by Todd Klein, who did a lot of the lettering on Sandman, so even that's cool.
The Last Temptation is a comic worth finding, particularly if you can find it in some weird place like I did. I'm not saying you should hunt it down with a crazy passion, but if you come across it, pick it up and read at least a few pages. Drop the ten bucks for a copy; it's worth at least that much. It's not a complicated story. It probably won't shock you that much. But it is really good.
Showing posts with label gaiman. Show all posts
Showing posts with label gaiman. Show all posts
13 February 2008
03 February 2008
Things You Might Enjoy, If You Enjoy This Sort Of Thing--Episode One
Think of this entry as the first in a continuing series. "Things You Might Enjoy, If You Enjoy The Sort Of Thing" is where I take the chance to review comics that aren't on my class syllabus. They may not be new, or obscure, or anything like that--they're just comics that I like, that I think are good, and that I think people should read.
So, without further ado:
Neil Gaiman's Midnight Days
Neil Gaiman
Neil Gaiman's Midnight Days is a book Vertigo put out a few years ago, a collection of miniseries and one-shots and other things Neil Gaiman wrote for them that hadn't been collected previously. It's called Midnight Days because, according to Neil Gaiman in the introduction, most of the scripts for these stories were written after midnight, "when the world was quiet and there was no-one left to talk to." So you might be able to guess that they're fairly weird.
I promise I won't spoil anything. I won't say anything that isn't in some way already mentioned in the introductions to the stories.
The first three are Swamp Thing stories. The very first one is the second comics script Neil Gaiman ever wrote, illustrated by Steve Bissette and John Totleben specifically for the collection. There's a Swamp Thing Annual, which doesn't really have much Swamp Thing in it at all, but does have Brother Power the Geek, possibly one of the weirdest characters to ever grace a comics page. And then there's "Shaggy God Stories," which is a story about Jason Woodrue, the Floronic Man. That one, besides being written by Neil Gaiman, was illustrated by Mike Mignola, though one wouldn't necessarily guess it. This is pre-chunky-awesome-Hellboy-type art, I guess.
After the Swamp Thing stories, there's one about John Constantine. It's called "Hold Me," and it's illustrated by Dave McKean, and Neil Gaiman says it's one of his favorites of his own short stories. It's beautiful. And it hurts to read, a little bit. It's mostly about loneliness.
Finishing up the book is the unnaturally awesome Sandman Mystery Theatre, which has the distinction of being written by Neil Gaiman, but plotted out by Matt Wagner, the amazing man who does Grendel and Mage. For the most part, Sandman Mystery Theatre stories are about Wesley Dodds, the original DC Sandman, this badass crime fighter in the 1930s and 40s who wore a gas mask and sprinkled sand on the people he caught.
This story, however, is about both Wesley Dodds and Morpheus, the main character in Neil Gaiman's equally awesome Sandman series, which you've probably heard of if you read comics at all. So it's by two writers who are really good, about two characters who are really interesting. Also, the whole story was painted by an artist named Teddy Kristiansen, who does beautiful work. It's like a combination of Dave McKean, art nouveau, and pure sexy detective-story joy.
Given my love of Neil Gaiman, it's no surprise that I like this collection, but don't think that makes it any less good. It's a wonderful group of stories. They're sad and funny and occasionally creepy as hell, and the writing is beautiful, and they're all accompanied by lovely pictures. The collection's also about eighteen bucks new, which isn't exorbitantly expensive, and it's certainly worth it for something this awesome.
So go. Read. Share and enjoy.
So, without further ado:
Neil Gaiman's Midnight Days
Neil Gaiman
Neil Gaiman's Midnight Days is a book Vertigo put out a few years ago, a collection of miniseries and one-shots and other things Neil Gaiman wrote for them that hadn't been collected previously. It's called Midnight Days because, according to Neil Gaiman in the introduction, most of the scripts for these stories were written after midnight, "when the world was quiet and there was no-one left to talk to." So you might be able to guess that they're fairly weird.
I promise I won't spoil anything. I won't say anything that isn't in some way already mentioned in the introductions to the stories.
The first three are Swamp Thing stories. The very first one is the second comics script Neil Gaiman ever wrote, illustrated by Steve Bissette and John Totleben specifically for the collection. There's a Swamp Thing Annual, which doesn't really have much Swamp Thing in it at all, but does have Brother Power the Geek, possibly one of the weirdest characters to ever grace a comics page. And then there's "Shaggy God Stories," which is a story about Jason Woodrue, the Floronic Man. That one, besides being written by Neil Gaiman, was illustrated by Mike Mignola, though one wouldn't necessarily guess it. This is pre-chunky-awesome-Hellboy-type art, I guess.
After the Swamp Thing stories, there's one about John Constantine. It's called "Hold Me," and it's illustrated by Dave McKean, and Neil Gaiman says it's one of his favorites of his own short stories. It's beautiful. And it hurts to read, a little bit. It's mostly about loneliness.
Finishing up the book is the unnaturally awesome Sandman Mystery Theatre, which has the distinction of being written by Neil Gaiman, but plotted out by Matt Wagner, the amazing man who does Grendel and Mage. For the most part, Sandman Mystery Theatre stories are about Wesley Dodds, the original DC Sandman, this badass crime fighter in the 1930s and 40s who wore a gas mask and sprinkled sand on the people he caught.
This story, however, is about both Wesley Dodds and Morpheus, the main character in Neil Gaiman's equally awesome Sandman series, which you've probably heard of if you read comics at all. So it's by two writers who are really good, about two characters who are really interesting. Also, the whole story was painted by an artist named Teddy Kristiansen, who does beautiful work. It's like a combination of Dave McKean, art nouveau, and pure sexy detective-story joy.
Given my love of Neil Gaiman, it's no surprise that I like this collection, but don't think that makes it any less good. It's a wonderful group of stories. They're sad and funny and occasionally creepy as hell, and the writing is beautiful, and they're all accompanied by lovely pictures. The collection's also about eighteen bucks new, which isn't exorbitantly expensive, and it's certainly worth it for something this awesome.
So go. Read. Share and enjoy.
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